Abuja-based talking drummer fuses Yoruba tradition with innovation to inspire, empower, and thrive in Nigeria’s creative economy.
By Samson Adeyanju
In the bustling heart of Nigeria’s capital, one man is using rhythm to rewrite the rules of business, culture, and creativity. His name is Moses Mobolade — and he is not just a talking drummer. He is a cultural entrepreneur reshaping Abuja’s entertainment scene with every beat of his drum.
Moses has transformed the Yoruba talking drum, known as gangan, into more than a musical instrument. It is his brand, his business, and his message. Whether at weddings, fashion shows, religious gatherings, or high-profile corporate events, his electrifying performances have made him one of the most sought-after cultural acts in Abuja.
But behind the beats lies strategy. Moses runs a flourishing enterprise offering customized drumming services, drum branding for events, cultural consultancy, and youth training.
His business model combines performance with mentorship — building both a fanbase and a future generation of drummers.
“I tell young people, your culture is not outdated — it is underrated,” Moses said. “With skill and creativity, you can turn it into a living.”
He is doing exactly that. His custom-made talking drums, some inscribed with names and logos, are sold across Nigeria and even abroad. Prices vary, but quality, not just sound, drives demand.
His drums are now seen as both cultural artifacts and fashionable statements.
Through regular workshops, Moses is grooming dozens of young drummers in Abuja.
He teaches not just the language and technique of the drum, but its cultural meaning and business value.
In the digital age, his fame is also growing. Videos of his performances on social media have gained viral attention, attracting collaborations with DJs, artists, and event planners nationwide.
Moses is showing that the talking drum is not just for tradition — it is a ticket to relevance, influence, and income.
By blending heritage with hustle, Moses Mobolade is setting a new rhythm for cultural entrepreneurship. And from the look of things, he is just getting started.
